Issues

Introduction

Welcome to JITP Issue Two! We are especially excited to introduce the first installment of our Behind the Seams feature, in which the editors and authors reflect on the oft-hidden path from proposal to published piece. This feature centers on a recorded audio conversation—not an interview, but an open-ended discussion—built around observations and recollections of what stands out in the process of developing, editing and publishing an online article. In this inaugural edition, we spoke with Brian Beaton, author of Other People’s Digital Tools: Adaptive Reuse, Cold War History, and the GSA’s Real Property Utilization and Disposal Website,” an article on his intentional “misreading” of a government property sales website as an archive of Cold War architecture.

Three themes emerged from our conversation that revealed patterns in the full set of articles constituting Issue Two. The first involves the value of such resistant readings. In “Wiki Wars: Conversation, Negotiation, and Collaboration in Online Spaces,” Jennifer Marlow describes how students’ “wars” over their understanding of common class content—overwriting, rewriting, and re-overwriting each others’ ideas and definitions in a class wiki—helped her (and her students) to understand the value of social constructivist learning. Although the infighting may at first seem a failure of social construction, in that the wiki page always showed the latest move in the debate rather than blending various contributions, Marlow chooses to focus instead on the wiki’s Page History as the product of the class’s collaboration, revealing the persistence with which they fought for their definitions in the midst of fighting over them. Like Beaton, she therefore demonstrates ways in which the failure (or “failure”) of technological innovations in the classroom can be the most productive moments in their use.

True, this can cause difficulties; but the second theme we noticed is the usefulness of difficulty in learning. By unsettling our default ways of seeing or interacting, challenges and mismatches between our expectations and what actually happens—like the unpredictable disappearance of certain entries from Beaton’s “archive,” or the overall difficulty in repurposing the resource—can bring those expectations and desires forward into consciousness, encouraging a more thoughtful design (or re-design). Moreover, as Ali Arya, Peggy Hartwick, Shawn Graham, and Nuket Nowlan suggest in their joint article “Collaborating through Space and Time in Educational Virtual Environments: 3 Case Studies,” this insight is not limited to design projects. They found that when immersed in a 3D Virtual Environment, students in a college-level language course held more spontaneous conversations in the target language; and though the authors don’t say so explicitly, we can’t help but wonder whether part of the exigency for their discussions was the useful difficulty of negotiating the 3D platform. Such conversations are also on display in the third case of the article, in which students in an archaeology course guide each other through an impressively interactive 3D virtual dig site. This dig site itself was made interestingly difficult to build by the constraints of the environment; we hope the authors’ innovative solution will save some time for readers who wish to emulate or extend their success.

All of these experiences with productive (or at least provocative) difficulty suggest to us that there is room for further exploration of the concept, especially in connection to Randy Bass and Heidi Elmendorf’s white paper “Designing for Difficulty: Social Pedagogies as a Framework for Course Design.” Their social pedagogies framework specifically calls on teachers to create opportunities for students to engage with difficulty and authenticity so that they will develop deepened and contextualized understanding. The playing out of the theme of difficulty in the pieces in this issue leads us to think that not only students, but teachers, too, can profitably acknowledge, engage with, and learn from difficulty, rather than avoiding it.

The third theme emerging from our peek Behind the Seams, which we will be interested to track through future issues, is the tendency for articles in our Issues section to line up with the other sections of JITP; the review process and “fitting” articles into our separate sections, it seems, has often caused those articles (and our sections) to shift in scope. Marlow’s article, for example, could be construed as an extended Teaching Fail submission; Beaton’s explicitly began its life as a Tool Tip before expanding in scope; and Marcus Schulzke’s article on “Using Video Games to Think About Distributive Justice” could well be seen as a beefed-up Review. Focusing on a recently developed life-sim game, Real Lives, Schulzke ponders the implications of assuming the roles of powerful characters on game players’ understandings of and complacency about power imbalances in the real world.

Seeing how the journal—and publication in the journal—helps to generate new ideas has been an exciting process for us. It is this sense of JITP as a creative and generative force in itself, rather than just a repository for static ideas and completed research, which led to the inclusion of “Behind the Seams” as a feature.

Our final article, by JITP’s own Kimon Keramidas, became two articles through the review process: after a full-length treatment of “Integrating Digital Media at the Programmatic and Institutional Level: Building a Humane Cyberinfrastructure at the Bard Graduate Center,” he also offers an “Afterword: The DML and the Digital Humanities.” In the former, Keramidas highlights the practical benefits of metacognitive reflection on both instruction and technology. “Digital media are new,” he writes, “and with newness comes apprehension. […] Clearly and repeatedly communicating an understanding of programmatic foundations can do much to assuage apprehension and uncertainty”—especially, as he makes clear elsewhere in the piece, when communicating with one individual at a time.

We’ve split off the afterword in anticipation of what we trust will be a lively and provocative discussion around the value of the Digital Humanities as a term of art within instructional technology and pedagogy—a value which Keramidas calls into question.

We hope that any or all of these pieces will strike some sparks. JITP should always be a place for live conversation and thinking and learning, not just for display or presentation. If you, as a reader, want to follow up on some point of an article that was exciting or provocative but not entirely fleshed out, to push the conversation in a new direction or draw a new connection, please use the comments sections! In an online journal, the final word is only the end of the first sally, and the conversation can continue even here within our pages.

Benjamin Miller, The Graduate Center, CUNY
Joseph Ugoretz, Macaulay Honors College, CUNY
Co-Editors, JITP Issue Two

Wiki Wars: Conversation, Negotiation, and Collaboration in Online Spaces

Jennifer Marlow, The College of Saint Rose

Abstract

This article is a teaching “failure narrative” that describes a first foray into wiki (mis)use in a topics-based writing class. This pedagogical story is informed by theories of collaborative writing developed within the field of composition paired with concepts of “collective intelligence” and “knowledge communities” used by new media scholars. Ultimately, the article questions the idea of consensus as a necessary ingredient in a successful writing collaboration, asserting instead that the struggles over composing within a wiki space are actually assets to the practices of teaching and writing and have the potential to inform our collective thinking about intellectual property.

 

“The Internet was built for love, not profit.”

— Douglas Rushkoff, “The People’s Net”

Introduction

Collaborative pedagogies in the composition classroom are often influenced (whether consciously or not) by Kenneth Bruffee’s landmark article, “Collaborative Learning and the ‘Conversation of Mankind,’ ” in which he urges those of us who teach writing to “create and maintain a demanding academic environment that makes collaboration—social engagement in intellectual pursuits—a genuine part of students’ educational development” (Bruffee 1984, 652). Since then, many scholars in the field of composition have taken up Bruffee’s call for a socially engaged and collaborative classroom space. In a 1996 article, Susan West and Andrea Lunsford echo Bruffee’s call for collaboration in the writing classroom and describe the problem with most writing instruction as “perpetuating traditional concepts of authorship, authority, and ownership of intellectual property” (West and Lunsford 1996, 397).

The role of Web 2.0 in providing spaces for writing that break from these hallmarks of traditional writing instruction has been widely addressed and frequently (though not always) celebrated in composition scholarship and new media studies. Web 2.0 is described as the participatory web that we all read and to which we also write and contribute. Various portmanteaus have emerged to describe the “new” hybrid-users of the web: Don Tapscott’s (reintroduction of the) term “prosumer” and Axel Bruns’s concept of “produser” are two examples. In particular, the use of wikis, which were designed as web pages meant to combine the roles of reader, writer, and editor, can be described as emblematic of Web 2.0’s collaborative ethos. Wikis were originally designed for groups to easily share work and ideas, making them ideal for the collaborative learning and writing that frequently takes place in a writing classroom.

Despite the large amounts of time most of our students spend occupying networked spaces, they aren’t necessarily prepared for nor open to the kinds of participation, interactivity, collaboration, and negotiation that many scholars see as the great potential of Web 2.0. I make this claim based on my experiences watching students struggle with the act of collaborative writing within the digital space of a wiki. Experiencing this struggle—what I’ve come to call a kind of “wiki war”—initially made me feel as though I were falling short of achieving my goals for the use of the wiki within the course. However, this seeming “failure” taught me something about how my students view language, ideas, and text creation. The experience gave me insight into the kinds of values that have shaped my students, and it inspired ideas for future ways of framing wiki writing in the classroom.

Failure and The Hi-Tech Gift Economy

In a recent edition of College English, editor John Schilb describes the need for more pedagogical failure narratives: “[H]ardly ever can pedagogy be smoothly ritualistic; in any classroom, the unexpected can loom. Better to acknowledge that surprise events can alter the scheme for the day” (Schilb 2012, 515). And failure seems an appropriate place to start when talking about collaboration and technology. First of all, failure is inevitable when it comes to navigating new and emerging media. Henry Jenkins reminds us that “we are still learning what it is like to operate within a knowledge culture. We are still debating and resolving the core principles that will define our interactions with each other” (Jenkins 2006, 238). The interactivity and participation that comprise the essence of Web 2.0 require strong negotiating skills, and negotiation is not easy. Given this level of difficulty, the chances for “failure” are high. My students’ struggles over text production are certainly reflective of the kinds of difficult negotiations that other scholars have identified as part of the process of wiki writing. Finally, there is the tension that resides in the notion of consensus and collaboration. For Bruffee, the idea of consensus is crucial to his work on collaborative learning and the way(s) in which he defines knowledge. The need for consensus is also a commonly accepted trait of wikis: “Because wikis allow all readers to write . . . , but write the same document, they provide a unique Web space where differing opinions are expressed, explored, and yes, sometimes eviscerated, but gradually moved toward consensus” (Barton and Cummings 2011, vii). The emphasis on the importance of consensus as essential to collaboration can contribute to the perception that a lack of consensus is equivalent to failure.

In recent years much composition scholarship has sought to incorporate Bruffee’s work on collaboration by shifting the emphasis in the classroom from grades and a competitive desire for praise and recognition to “the pleasures of companionship, community, and mutual support” (Heller 2003, 308). These types of “pleasures” are central to new media theories developed by scholars such as Henry Jenkins, Howard Rheingold, Pierre Lévy, Clay Shirky, Axel Bruns, and Richard Barbrook. They see these contemporary online collaborations as a fundamental part of the “the hi-tech gift economy,” a term that Barbrook adapted from Lewis Hyde’s concept of “gift economy” to describe the anti-capitalist, anti-copyright aspects of Web 2.0. In this version of the Web, users “[u]nconcerned about copyright . . . give and receive information without thought of payment.”  Barbrook continues: “Within the hi-tech gift economy, people successfully work together through ‘ . . . an open social process involving evaluation, comparison and collaboration’” (Barbrook 1998). Similarly, Lévy describes what happens in this participatory version of cyberspace as “collective intelligence,” which “is a form of universally distributed intelligence, constantly enhanced, coordinated in real time, and resulting in the effective mobilization of skills . . . . The basis and goal of collective intelligence is the mutual recognition and enrichment of individuals rather than the cult of fetishized or hypostatized communities” (Lévy 1997, 13).

The benefits of both contributing to and gaining from (these are both obligations cited by Hyde for participation in a gift economy) this “hi-tech gift economy” might seem apparent to many educators (as they did to me) who see the power and depth of collective knowledge formation. Our students, however, might not so easily subscribe to these modes of learning that are far afield from the meritocratic education system they are accustomed to. A question that remains to be answered is posed by Rafael Heller: “Are we really to believe that our students might so completely internalize a collaborative ideology, as if they could inhale a new set of motives and exhale the old?” (Heller 2003, 312). The follow-up questions to Heller’s seem to me to be: What are the “old motives” exactly?  How do they affect, and sometimes derail, our desire to create a more collaborative classroom space?  And more specifically related to the idea of wikis: How do “old motives” mesh with or compete against the increasingly collaborative ethos of networked digital writing spaces?

In the classroom narrative that follows, my students appear to be motivated by a sense of ownership over their words and ideas. They do not appear to be interested in moving away from the cognitive/Cartesian belief in the self as “the matrix of all thought” (Bruffee 1986, 777). These motives are dichotomous with the kinds of values that drive the “hi-tech gift economy.”  The “old motives” are attached to the idea of Author with a capital “A” and the perceived benefits that come from ownership over one’s labor (whether in the form of good grades or financial gain). The “hi-tech gift economy,” on the other hand, implies a more altruistic motivation: namely, the circulation of “gifts” (most often in the form of information/knowledge) in a social rather than an economic manner.

Negotiation and Dissensus

I have used wikis in my classes in various ways—always with the goal of supporting and improving student writing and often in ways that have traditionally been accomplished in the form of face-to-face group work. These include “workshopping” student writing, having students contribute to grading criteria and the development of rubrics, creating a space to conduct group work, and writing collaborative texts that become frameworks for concepts we’re working through in class. It was for this latter purpose that I initially implemented a class wiki in my topics-based writing course called “Writing about Society and Culture.”  The wiki served as a collaborative writing and thinking space throughout the semester and was eventually used for the joint writing of the students’ final projects. Our first foray into wiki-use (and potential misuse) involved collaboratively writing a definition for the term “culture” as used in the title of the course. My goal was to create a definition (knowledge) based on a community of peers contributing to and eventually (hopefully) reaching consensus, or, at the very least, agreeing upon a workable definition or framework. I began by posting a loose, one sentence introduction to the idea of culture as it pertained to the course:

Definitions of culture are constantly changing, but this class will be informed by the belief that culture is representative of the way(s) in which language, art, media, politics and lived experience are in constant flux and sometimes conflict as they shape our consciousness and daily lives.

The class then had the opportunity to add and make changes to my starter sentence.

I had a number of goals here: 1) simply to get them comfortable using the wiki—understanding how to edit, use the page history, etc.; 2) to come to a brief definition—a hearty paragraph about culture that we could refer to and through which we could begin framing our class discussions—a definition that we could all feel comfortable with, remember, and relate to; 3) to give them a chance to experience firsthand the temporal nature of writing, especially in digital form; and 4) to incorporate the long-line of scholarship since Bruffee that argues for the importance of collaborative learning and conversation in the writing classroom.

In “Social Construction, Language, and Knowledge” Bruffee references an article by Greg Myers that traces the publication of an article written by two biologists through its various rejections and ultimate approval. “Myers demonstrates the extent to which what these scientists actually knew gradually changed as the community of knowledgeable peers they belonged to demanded change in the language of the articles they were writing” (Bruffee 1986, 785). A similar observation can certainly be applied to the use of wikis in (or outside) of a writing classroom. The demand for changes in language can be a catalyst for learning, as the wiki’s contributors are made to think more deeply and carefully about what it is they want to say and how they want to say it in a venue shared by others. One could question whether my students constitute a group of “knowledgeable peers,” asking what it is that they know about defining culture. But, as I illustrate to these students on the first day of class, they know culture. I show them just how much they know implicitly, as I lead them through a kind of “pop culture” pop quiz. I ask them first to identify the colors used in Microsoft’s logo without looking at their computers or anything else in the room. The majority of them can name all four colors correctly. I hum the tune of Jeopardy and ask them to “name that tune”; all of them recognize it. I ask them if they know what a Swiffer is, and I describe a popular commercial to see if they know what it is used for. As these examples illustrate, these students have been defining culture long before they came to my class and, I’m hoping, continue to (re)define it during the course of the semester. This places importance on the wiki as a means of maintaining an immediate yet evolving reference to the central concept of the course.

“Intellectual negotiation,” argues Harvey S. Wiener, is what distinguishes group work that might only serve to “subdivide the traditional hierarchical classroom into several smaller versions of the same model” from true collaborative learning. In order “to assure that the teacher in a collaborative learning classroom is guiding students to collective judgments in groups,” Wiener suggests, “evaluators are right to insist that the task be written down. A written task provides the language that helps to shape students’ conversations” (Wiener 1986, 55). I agree with the necessity of writing when it comes to successful collaboration; however in the case of most face-to-face collaborative learning groups, frequently only one student is doing the actual writing. This distinction is important because, as Peter Hawkes reminds us in a response to Wiener, the differences between collaboration and group work “inhere in the nature of the task” (quoted in Wiener 1986, 56).

I am guessing that many of us have experienced or led the kind of hierarchical group work that Lisa Ede and Andrea Lunsford describe in Singular Texts/Plural Authors: Perspectives on Collaborative Writing, where they identify two modes of collaboration. One they describe as hierarchical and admit that in their research it tends to be the most common means of collaboratively producing text. They write that the hierarchical mode of collaboration is “rigidly structured, driven by highly specified goals, and carried out by people playing clearly defined and delimited roles.” They describe the goals as “designated by someone outside of and hierarchically superior to the immediate group” (Ede and Lunsford 1990, 133). While Ede and Lunsford don’t directly name these “defined and delimited roles,” it calls to mind for me collaborative endeavors that involve a “scribe” or recorder who jots down notes from the group’s conversation. All too often this same recorder is the one assigned to read from those notes to the class during the subsequent discussion. Word choice, struggles with language, and figuring out the best means to express what it is the students want to say suddenly become secondary to merely getting the work done, as the group relies on “the scribe” to take care of all of that. Subsequently, the “Burkean parlor conversation” that may have taken place becomes lost in the speech act, most of which remains unrecorded. Wrestling with the text is not always an accessible activity to the group as a whole when it comes to this traditional form of collaborative writing; whereas, with collaborative wiki writing, all students can get their hands on the text, intervene, wrestle, and negotiate. This is important, because as John Trimbur stresses, when the “process of intellectual negotiation that underwrites consensus . . . works . . . the pressure leads students to take their ideas seriously, to fight for them, and to modify or revise them in light of others’ ideas. It can also cause students to agree to disagree.” (Trimbur 1989, 54).

My Writing about Society and Culture students were eventually forced to “agree to disagree,” but not all of them were happy about it. In fact, Trimbur’s word choice of students “fighting” for their ideas is illustrated in the outcome of our collaborative composing of the definition of “culture.”  The issues arose, in part, because we were learning to use the wiki during class time and therefore were all simultaneously logged on and making changes. A student’s text might only last a second or two before it was intervened upon and transformed by another student. While this logistical fact seemed to exacerbate tensions, it is still representative of what can happen when writers contribute to a large-scale wiki. Students struggled for control over the text, and some were fairly vocal about their annoyance when “their” text was changed. Students would repeatedly return to the text and attempt to revert back or override the changes that a peer had made in an attempt to “fight” for their writing. Some even made changes to the text in defense of a friend whose words had been altered by someone else in the class. There were many rumblings of complaint, even some under-the-breath name calling.

A student with the username “smallfrii” wanted to express the “learned” or “practiced” aspects of culture. Over a series of twelve edits, smallfrii contributed to the wiki five times, adding some version of this definition of culture: “Culture can be learned or practiced through habits. For example, something that has been done or said in your family, could be automatically transferred [sic] to you.”  Four of the twelve edits were by another student who deleted smallfrii’s references to culture as “learned” or “practiced.”  Another edit that was revised was the idea of culture as “inherited.”  At 8:11 on a Thursday morning, smallfrii added this description of culture: “Culture is a learned and inherited behavior and uniting force among specific people in a society.” This was deleted by murphyt088 at 8:12, added again by smallfrii at 8:13 and promptly removed by lynchm496 at 8:13. It was the specific term “inherited” that appeared to be the source of contention; however, despite the implied dispute, there was not enough time for the disagreement to actually play out. The students did not have time to think through the word choice, learning from and making changes based on the specific meaning of language. Instead, they were concerned with getting their own idea to stick as the “permanently” recorded definition of culture.

The rapid-fire changes continued, moving from struggles over word choice to a disagreement over more universal conceptions of what culture is (or isn’t). At 8:13, “lynchm496” added: “Culture is known throughout different societies as a way of life.”  Another student who had the opposite idea in mind supplanted this almost immediately: “The idea that culture can not impact people is also a possibility.” Lynchm496 reinserted her original sentence by 8:15. Meanwhile, Kellyb816 (who was friends with Lynchm496) came to Lynchm496’s defense by deleting the other student’s statement about the possibility of culture not impacting people. Additionally, in less than a minute the text, “No matter what background you come from you’re [sic] culture will always be changing and growing based upon society and the changing times,” was added, deleted by another student, and finally reinstated by the original writer. The speed with which these deletions and additions took place seems to illustrate the fact that the students were more interested in asserting and inserting their own words and ideas into the text than considering what they might learn from and add to the work of their peers.

One of the benefits of using wikis for group work is the record they keep of the collaborative writing process: “Wikis help enable the student-centered classroom by recording the messiness of negotiation within an electronic document that can be accessed in its newest form at all times” (Vie and DeWinter 2008, 115). This record of the “messiness of negotiation” comes in the form of a wiki’s “history.”  The fact that I could access this “history” of edits made by each individual writer was one that I reminded the students of on more than one occasion; however, it did little to alleviate their collective anxiety over ownership of “their” work and ideas.

Although I had led into the assignment by describing it as a collective definition, a collaboration for the good of the class as a whole, students were not yet comfortable with viewing this “new” (to them) writing space in a celebratory manner. While my early pedagogical goal might have been similar to Bruffee’s idea about collaborative learning that calls for “negotiat[ing] a common language in the classroom, to draw students into a wider consensus, and to initiate them into the conversation as it is currently organized in the academy” (Trimbur 1989, 612-13), I was basing this goal on the assumption that students would inevitably see and automatically be invested in the creation of a “commons” available for the collective good; however, their resulting resistance to this notion is not unusual.

Whenever we set group goals we run the risk of “ ‘Tragedy of the Commons,’ biologist Garrett Hardin’s phrase for situations wherein individuals have incentive to damage the collective good” (Shirky 2008, 51). Online defacement of wiki sites, including Wikipedia and the Los Angeles Times, has been widely publicized. It is important, I think, to note that my students didn’t wreak actual havoc upon the wiki itself. In fact, in some ways, the assertive stance that my students took in defense of their own material could be indicative of their commitment to the final product. Their intense involvement in its composition can be read as interest and investment in the outcome. Instead of actual defacement, they chose to express their dissatisfaction through speech acts outside of the wiki and pointed edits within it. It is, therefore, difficult to say whether my students actually had “incentive to damage the collective good.”  Perhaps they simply felt that if they didn’t assert their voices over the voices of other students, they would miss out on some valuable participation points. Or maybe they were simply culturally constructed, as Lynn Z. Bloom, Bruffee, and others have argued, in the mode of “self reliance.” While it is difficult to ascertain to what degree these students were invested in the collective good, it is still clear to me that they were focused more on the individual and less on the collective.

Most of these students have been educated in an environment where the authority of knowledge is given to the person who ostensibly generated that knowledge originally, and they have been (mis)led into believing that they themselves were the “original” generators of the knowledge and text that they posted to the wiki. And who can blame them?  They have been raised in a culture that has seen the shift from an economy reliant on material goods and services to one that values knowledge as a product. In the introduction to his remarks on “Public Policy for a Knowledge Economy” at the Department for Trade and Industry and Center for Economic Policy Research in 1999, Joseph Stiglitz of the World Bank describes the shift from industry to ideas: “Knowledge and information is [sic] being produced today like cars and steel were produced a hundred years ago. Those, like Bill Gates, who know how to produce knowledge and information better than others reap the rewards, just as those who knew how to produce cars and steel a hundred years ago became the magnates of that era” (quoted in Hall 2008, 4). So my students’ apparent attachment to Lockean notions of ownership and labor aren’t surprising, given the cultural importance placed on the economic value of ideas.

Rethinking and Reframing the Assignment

As educators, we have undoubtedly played a role in helping form these beliefs. Lynn Z. Bloom argues that “middle class composition teachers, ever Emersonian in spirit, stress the importance of self-reliance (‘Your work must be your own’), even in nominally collaborative classrooms” (Bloom 1996, 659). Likewise, as Bruffee puts it, speaking to those of us who teach in the humanities, “If we look at what we do instead of what we say, we discover that we think of knowledge as something we acquire and wield as individuals relative to each other, not something we generate and maintain in company with and in dependency upon each other” (Bruffee 1984, 645). The reactions of these students to the online and collaborative form of writing produced in the wiki are reflective of this humanities tradition that Bruffee describes. In class I saw them asserting their will to power over the text and over each other.

A 1999 collaboratively-written essay on “textuality, collaboration, and the new essay,” by Myka Vielstimmig (the combined “pen” name for Michael Spooner and Kathleen Blake Yancey) stresses that even those of us who frequently engage in collaborative work ourselves find it to be “like taking on a new identity; issues you hadn’t foreseen arise. It’s easier not to sail to the new land” (Vielstimmig 1999, 95). These scholars attribute these difficulties with collaboration to our cultural “reverence” for the individual, especially the work/labor of the individual. Reliance on each other is often conflated with reliance on the system, which is looked at with disdain.

But regardless of whether it’s “easier not to sail the new land,” it is nothing short of irresponsible not to do so. Lunsford and West write:

The ubiquitous media coverage of the complex issues swirling around the question of who owns language-for that is what this debate is finally about-demands a response from our profession, as those most concerned with shaping and perpetuating notions about what it means to read, write, and speak. In particular, compositionists have a compelling interest in how laws governing ownership of language should be adjusted (if at all) to accommodate both new technologies and postmodern challenges to established ideas about ‘authorship.’ (Lunsford and West 1996, 383)

Lunsford and West proceed to give an example of that “ubiquitous media coverage” in the form of a Cathy comic strip circa 1995: In it, a mother gives her child a homemade Halloween costume, labeled “hand-stitched by Mama.”  The child immediately looks for a Disney label and upon not seeing one utters, “’Copyright infringement! Trademark violation! Illegal facsimile!’”  (385). Lunsford and West argue that children of the 1990s (and the same might be said for the generations of the twenty-first century, if cultural change does not take place) “will increasingly be led to accept possessive ownership as normal” (386). Our responses to debates about intellectual property and ownership of  language need to account for students’ attitudes and beliefs that have been shaped by a copyright-happy culture.

Despite this “norm” of “possessive ownership,” there is much scholarship being done on a participatory and collaborative revolution that is taking place in online spaces and with the help of technological tools. Clay Shirky’s 2008 book, Here Comes Everybody describes this as the “power of organizing without organizations.”  Shirky describes the “old way” of working within organizations, companies, and institutions as being governed by “institutional costs” and “managerial organization.”  Employees agreed to be managed based on pay and were so managed “by making continued receipt of their pay contingent on their responsiveness to manager’s requests” (Shirky 2008, 43). Employees advanced in the company through their contributions and ability to climb the ladder of the imposed hierarchy. This generally resulted in higher pay, and so the incentive to exceed other employees is in place. Similarly we see this kind of “climbing” in the classroom scenarios described above where grades can (supposedly) be exchanged for a future, paying job. Students care about the perceived exchange value of grades, and they buy into the notion that the producers of knowledge will “reap the rewards.”  But in contrast to the individualized mode of work traditionally encouraged by writing instructors, as described by Bloom, Shirky asserts that “people have always desired to share, and the obstacles that prevented sharing on a global scale are now gone” because of social networking in the form of web tools such as Flickr, Wikipedia, Facebook, and del.icio.us (45). “Social tools provide . . . action by loosely structured groups, operating without managerial direction and outside the profit motive” (47). The types of personal motivation to do group work in a collaborative spirit, which Shirky has claimed are ever-present desires, were clearly not present for my students.

Despite Shirky’s claims about the strong interest in sharing that most people have, he is well aware of the challenges of negotiation. He describes the increasingly difficult levels of involvement a group must undertake in order to truly work collaboratively. In order of difficulty they are sharing, cooperation, and collective action. Cooperation requires a group identity, as well as “changing your behavior to synchronize with people who are changing their behavior to synchronize with you” (Shirky 2008, 50). My students, holding steadfastly to “old ways” of working, did not modify their behavior in any form of synchronization, thereby leaving us unable to move forward (at that time) to more complex forms of collaborative knowledge making. From cooperation, Shirky describes a more involved form of group activity, which he calls “collaborative production.”  “The litmus test for collaborative production is simple: no one person can take credit for what gets created, and the project could not come about without the participation of many” (50). This was my goal for using a wiki in Writing about Society and Culture—a class that I based on pedagogical theories that seek to decentralize authority and focus on collaborative writing and shared responsibility for knowledge making.

Shirky’s “litmus test” for collaborative production—that no one person can take credit for what has been created—takes Roland Barthes concept of the “death of the author” to an interesting digital realm. Rafael Heller points out that it is Michel Foucault’s 1979 “What is an Author?” that has influenced much of the work on collaborative writing done in composition. In “What is an Author?” Foucault draws on Barthes’ 1967 “Death of the Author” and borrows from Samuel Beckett in order to pose the question: “What does it matter who is speaking?”  Heller subsequently asks the question that seems necessary to the collaborative model of writing: “How do we speak together?” (Heller 2003, 309). While I consider the differences between these questions to be important, I find both of them applicable to the kind of writing that happens within a wiki where it truly doesn’t matter who is speaking. By creating a space where no one person owns the co-created text, wikis have provided a technology that determines “how” we speak in ways that can possibly transcend the modern author function as defined by the idea of the solitary writer and original genius.

In fact, a wiki actually seems constructed to work towards the kind of equality in dialogue that Habermas discusses. A wiki’s unique ability to track all voices gives it a power not often available to us in other forms of group work and collaborative writing. Habermas’s “ideal speech situation” is “a utopian discursive space that distributes symmetrically the opportunity to speak, to initiate discourse, to question, to give reasons, to do all those other things necessary to justify knowledge socially” (Trimbur 1989, 612). A wiki, unlike other online writing spaces, doesn’t create discussion threads (though it also has this capability), and it doesn’t privilege one writer as the creator of ideas and text. Instead, it “distributes symmetrically” the opportunity for students to compose a singular text, and, additionally, through the use of “discussion” tabs, it makes a separate space for questions, ideas, and comments to be raised about the text at hand. Therefore, a wiki has the potential to break from the hierarchical mode of collaboration described earlier by Ede and Lunsford.

However, the symmetrically created form of “collective intelligence,” particularly as it takes place through the act of writing, creates a complex authorial situation, because “it reflects the dynamic exchange between individual knowledge and shared knowledge” (Vielstimmig 1999, 99). In this way, attempting to assign a “creator” to particular passages, words, or ideas is always going to be arbitrary and not necessarily representative of the actual composing process. This fact sits uneasily with students educated to own ideas and products (and the product of their ideas) within an educational system imbued with capitalist values. I think that the conflicts these students had with collaborative writing and the process of collectively formulating knowledge were not only valuable struggles but also inevitable ones. Ede and Lunsford remind us of this: “Like gender roles, discourse situations are, Burke reminds us, inherently mixed and paradoxical . . . . Surely it seems reasonable to find inscribed in any piece of collaboration . . . the same kind of risks and tensions that are generally inscribed in our culture” (Ede and Lunsford 1990, 134). My students’ struggles over text production are certainly reflective of culturally inscribed tensions around ownership of intellectual property that play out frequently in our own debates about open source versus propriety software and open access versus proprietary journal publications.

I now see that it is my responsibility to bring these cultural tensions to the attention of my students. Certainly, it seems necessary to help students become knowledgeable about and invested in the idea of the “collective good” instead of assuming they have a “natural desire” to share and act collaboratively. In the future I could open this activity with a discussion around community, collective intelligence, and knowledge as collaborative artifact and socially justified belief. Maybe I should have explained that from Bruffee’s perspective, knowledge results from “intellectual negotiations” and depends on social relations, not on attempting to have the last word in print, untouchable and eternal. For future wiki implementation, I can explain to students that the goal is empowerment in the form of a “smart mob.”  I can inform them that according to Howard Rheingold, “Groups of people using these tools will gain new forms of social power” (Rheingold 2002, xii). Henry Jenkins also writes about “social power,” using the example of the citizens in Manila and Madrid and their ability to create “transformations of power” based on technology. While group solidarity may continue to be looked on with great skepticism in a society on the lookout for “freeloaders,” in a world of social networking and digital tools, the economic arrangement tends to be looked at differently—characterized by labels like a “digital economy,” Barbrook’s notion of a “gift economy,” and Maurizio Lazzarato’s description of “immaterial labor.”

For future versions of this wiki activity, I will certainly frame differently the collaborative work that I am assigning students; however, this first try was not a complete failure. For one thing, like Jenkins I am particularly interested in how groups react when a shift occurs in how they typically process and evaluate knowledge. By putting my students into a composing situation quite unfamiliar to them, they struggled to negotiate both on and off the screen how to manage their collective knowledge making. This created a level of discomfort and anxiety within the classroom community; however, as Jenkins asserts, “It is at moments of crisis, conflict, and controversy that communities are forced to articulate the principles that guide them” (Jenkins 2006, 26). This assertion harkens back to a central argument of Thomas Kuhn’s about the revolutionary nature of scientific knowledge: “In both political and scientific development the sense of malfunction that can lead to crisis is prerequisite to revolution” (Kuhn 1996, 92). This experience with wikis in my Writing about Society and Culture class can certainly be described as a “teachable moment” not in spite of but because of the apparent “malfunction.” This “crisis” was more precisely an act of negotiation that served to keep the students returning again and again to the act of writing and thinking about the key term they were asked to define. Rethinking and discussing the ideas of classroom and community would be the logical next step in our “wiki war crisis.”  As Andrew Feenberg argues, technology is “not a destiny but a scene of struggle. It is a social battlefield.” (Feenberg 1991, 14) Technology is not neutral and it should not be a seamless space in which group interactions take place with unprecedented ease. Instead, it is a place where “civilizational alternatives are debated and decided” (Feenberg 1991, 14).

I approached this assignment, as I think we often do in composition, grounding it in pedagogical theories that seem sound and beneficial to students. My particular area of research interest focuses on how longstanding pedagogical approaches can be integrated into but also looked at anew in digital writing spaces. However, whenever theory hits practice in the classroom, we end up needing to meet the students where they are. In this case, it turned out that my students did not share the same values regarding the open, collaborative ethos of the Web that I did/do. As Heller reminds us, I also can’t make my students “breathe in” a new set of motives and classroom practices. I can’t expect their investment in collective knowledge to be as natural as taking a breath. I can, however, introduce them to these alternative motivations and help tune them in to the ways in which the digital spaces that many of them inhabit on a daily basis are a valuable tool for a different kind of knowledge production that gets its value in the processes of negotiation and struggle over ideas and language. The temporary nature of the written word and the questionable status of the author are brought to the fore in digital writing spaces, and these aspects of digital composing can make our students nervous, uncomfortable, and quick to act and to assert control over the text at hand. Gregory Ulmer argues that our discipline has “a primary responsibility for inventing the practices of reasoning and communicating in ways native to new media” (Ulmer 2007, xi). These practices will need to attend to the fact students think differently than many of us about the “ownership” they believe they have over their ideas and over language—something that, as Bruffee has shown, has always been at the center of collaboration of any kind, even if he could not have envisioned the added challenges that these technological sites of struggle present.

Bibliography

Barbrook, Richard. 1998. “The Hi-Tech Gift Economy.” Subsol. Accessed March 24, 2011. http://subsol.c3.hu/subsol_2/contributors3/barbrooktext2.html

Bloom, Lynn Z. 1996. “Freshman Composition as Middle-Class Enterprise.” College English 58: 654-75. OCLC 477416930.

Bruffee, Kenneth. 1984. “Collaborative Learning and the ‘Conversation of Mankind.’”  College English 46: 635-52. OCLC 486755706.

———. 1986. “Social Construction, Language, and the Authority of Knowledge: A Biliographical Essay.” College English 48: 773-90. OCLC 486757661.

Cummings, Robert E. and Matt Barton, eds. 2008. Wiki Writing: Collaborative Learning in the College Classroom. Ann Arbor: University of Michigan Press. OCLC 228372295.

DiNucci, Darcy. 1999. “Fragmented Future.”  Print 53: 32, 221-2. OCLC 93592608.

Ede, Lisa and Andrea Lunsford. 1990. Singular Texts/Plural Authors: Perspectives on Collaborative Writing. Carbondale, IL: Southern Illinois University Press. OCLC 45732382.

Feenberg, Andrew. 1991. Critical Theory of Technology. Oxford: Oxford University Press. OCLC 22860236.

Haefner, Joel. 1992. “Democracy, Pedagogy, and the Personal Essay.” College English. 54: 127-37. OCLC 486762937.

Hall, Gary. 2008. Digitize this Book: The Politics of New Media or Why We Need Open Access Now. Minneapolis: University of Minneapolis Press. OCLC 222249169.

Heller, Rafael. 2003. “Questionable Categories and the Case for Collaborative Writing.” Rhetoric Review 22.3: 300-18. OCLC 438062920.

Jenkins, Henry. 2006. Convergence Culture. New York: New York University Press. OCLC 64594290.

Kuhn, Thomas. 1996. The Structure of Scientific Revolutions. 3rd ed. Chicago: University of Chicago Press. OCLC 34548541.

Levy, Pierre. 1997. Collective Intelligence: Mankind’s Emerging World in Cyberspace. Cambridge, MA: Perseus Books. OCLC 37195391.

Lunsford, Andrea and Susan West. 1996. “Intellectual Property and Composition Studies.” College Composition and Communication 47.3: 383-411. OCLC 486675736.

Reid, Alex. 2008. “Changing Economics of Classroom Management.” digital digs. Accessed March 19, 2012. http://www.alex-reid.net/2008/03/changing-econom.html

Rheingold, Howard. 2002. Smart Mobs: The Next Social Revolution. Cambridge, MA: Basic Books. OCLC 464363327.

Rushkoff, Douglas. 2008. “The People’s Net.” Accessed August 18, 2012. http://www.rushkoff.com/articles-individual/2008/5/13/the-peoples-net.html.

Schilb, John. 2012 “From the Editor.” College English. 74: 513-19. OCLC 802369104.

Shirky, Clay. 2008. Here Comes Everybody. New York: Penguin Press. OCLC 168716646.

Trimbur, John. 1989. “Consensus and Difference in Collaborative Learning.” College English 51: 602-16. OCLC 486760586.

Ulmer, Gregory. 2007. Foreword to The Rhetoric of Cool: Composition Studies and New Media, by Jeff Rice, ix-xv. Carbondale, IL: Southern Illinois University Press. OCLC 71946546.

Vie, Stephanie and Jennifer deWinter. 2008. “Disrupting Intellectual Property: Collaboration and Resistance in Wikis,” In Wiki Writing: Collaborative Learning in the College Classroom, edited by Robert E. Cummings and Matt Barton,109-22. Ann Arbor: University of Michigan Press. OCLC 228372295.

Vielstimmig, Myka. 1999. “Petals on a Wet, Black Bough: Textuality, Collaboration, and the New Essay” in Passions, Pedagogies, and 21st Century Technologies, edited by Gail E. Hawisher and Cynthia L. Selfe, 89-114. Logan, Utah: Utah State University Press. OCLC 42330336.

Wiener, Harvey S. 1986. “Collaborative Learning in the Classroom: A Guide to Evaluation.” College English 48: 52-61. OCLC 486756851.

 

About the Author

Jennifer Marlow is an assistant professor of English at The College of Saint Rose in Albany, NY, where she teaches courses in composition and new media. Her work focuses on educational technology software and its uses and abuses in the writing classroom. When she is not busy experimenting with innovative digital technologies that bring learning “outside the box,” she and colleague, Megan Fulwiler, utilize documentary filmmaking to show how the labor conditions of higher education affect everything from academic freedom to student learning to how we implement and think about technology.

Other People’s Digital Tools: Adaptive Reuse, Cold War History, and the GSA’s Real Property Utilization and Disposal Website

Brian Beaton, University of Pittsburgh

Abstract

This essay focuses on a property disposal website run by the General Services Administration (GSA). The website inadvertently grants intimate access to Cold War–era buildings and built environments that were previously “Off Limits” to civilians, including students and scholars of Cold War history. I begin the essay by discussing the heavy building that occurred within the mainland US during the Cold War era and explain why, in the 1990s, US policymakers suddenly came to view themselves as having too much defense-related property. I then discuss the online auction website currently used by the GSA to dispose of Cold War properties and outline the website’s key features. I also provide an example of a large military base in California that was sold through the GSA’s website and subsequently re-developed for new and unrelated purposes, a process that many architects and planners call “adaptive reuse.” In Part 2 of the essay, I explain how the GSA property disposal website can be used for teaching purposes despite its intended goal of serving private land developers. In my discussion, I borrow the term “adaptive re-use” and elaborate it into a digital humanities concept.
 

 

The Cold War era (1940s–1980s) was a time of heavy building within the mainland United States. The construction of the interstate highway system, which in part began as a civil defense scheme, fueled the rapid decentralization of American cities and mass suburbanization. Large defense contracts spawned countless new science, engineering, and manufacturing facilities dedicated to defense-related research. The US federal government also built a considerable number of military bases. From the 1940s to the 1980s, there were nearly 200 military bases constructed in the mainland US (Chambless 1998, 102). Although more commonly remembered as a geopolitical and cultural event, the Cold War was also a significant moment in the history of American architecture and infrastructure. The Cold War unfolded through built space and transformed the US landscape.

A growing fascination among US policymakers with the idea of computer-mediated warfare and the dissolution of the USSR in the early 1990s altered the US government’s perceived needs in terms of keeping and maintaining defense-related property.1 By the last decade of the twentieth century, the US had lost its principal geopolitical rival, and civil defense seemed on the verge of virtualization. As a result, the 1990s saw a rapid reduction in the heavy building of the Cold War era, and much of the defense-related property built during the Cold War came to be re-conceptualized as unnecessary and surplus.2 To this end, the Department of Defense began actively selling off many Cold War–era properties to private land developers, a process that continues in the present day. The developers commonly demolish the properties or adapt them for new and unrelated purposes. Every day, more Cold War sites are torn down, demolished, and then re-built and reused—sometimes leaving little to no record of their existence.

Architects and planners commonly call this type of property re-development “adaptive reuse.” Other common examples of adaptive reuse include the conversion of power plants into art galleries, factories into residential lofts, and abandoned box stores into small clinics or hospitals. The practice of adaptive reuse has gained currency in the building and planning professions for several reasons: cost and time-saving possibilities that can be gleaned (but not always) from adapting an existing site for new purposes instead of building from scratch; a growing interest in sustainable building practices that conserve land and resources by mitigating new construction; and an attraction to the distinctive challenges that many adaptive reuse projects present to builders and planners who understand themselves to be in creative, problem-solving industries (Coffey 2004, 56-7; Shipley, Utz and Parsons 2006, 505-520; Hunter 2007, 10, 13-14). Adaptive reuse has been called an “art form with a cause” (Coffey 2004, 56). The practice often has an environmental, aesthetic, and economic politics to it.

In this essay, I borrow the term “adaptive re-use” and elaborate it into a digital humanities concept. My focus here is the Real Property Utilization and Disposal Website used by the General Services Administration (GSA) to sell off Cold War–era properties to private land developers. The GSA’s property disposal website allows potential buyers to browse through a wide variety of aging defense architecture. Visitors to the website can search for properties by state, property type, or region using simple dropdown menus (see Gallery 1). Visitors can also move through image galleries and obtain detailed property information.

Gallery 1. Screen captures from the GSA’s property disposal website. Accessed August 26, 2012.


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The website auctions everything from office buildings, bases, hospitals, test facilities, laboratories, garages, patrol stations, and warehouses to empty lots, silos, parking lots, and checkpoints. In doing so, the website inadvertently grants intimate access to Cold War–era buildings and built environments that were previously “Off Limits” to civilians, including students and scholars of Cold War history. For example, Figure 1 shows a former army reserve facility in suburban Cleveland that was initially built between 1958 and 1962. Vacated in 2008, the army facility was auctioned off through the GSA’s property disposal website in the spring of 2012. As is typical of the website’s design, prospective buyers were able to access a series of image galleries during the auction process in a manner that simulates a visit to the property in person.

Figure 1. Screen capture from the GSA’s property disposal website. Army reserve facility in Cleveland. Accessed August 26, 2012.

Although seemingly abandoned, the properties listed on the GSA’s property disposal website are often contested places with complicated individual histories. A good example can be found in the case of El Toro Marine Corps Base in Orange County, California. Opened in the 1940s, the federal government targeted the base for closure in the early 1990s. Local officials initially aimed to convert the base to a sizeable commercial airport. After generating considerable anti-airport activism, the project eventually unraveled when a series of ballot measures designated the land for non-aviation use.3 In 2005, a capital investment partnership led by Lennar Corporation acquired the entire El Toro lot through the GSA website with a combined winning bid of $650 million (USD). The initial redevelopment plans for the former military base included 3,500 new homes, 28,000 square meters of retail and office space, a research and development corporate office complex, a set of university branch campuses, a 45-hole private golf course, and a massive public park (Lennar Homes of California, Inc. 2005).4 As part of these re-development efforts, a San Diego recycling company contracted by Lennar and a local NGO dismantled many of the installation’s 1,200 buildings and structures—trucking the doors, floors, windows and wood to nearby Northern Mexico as part of a transnational development project (Rowe 2006).

In 2007, I went to Orange County to conduct fieldwork and to document El Toro’s disassembly (see Gallery 2). Within months of my fieldwork, most of the buildings were unrecognizable, stripped, or gone.

Gallery 2. The disassembly of El Toro Marine Base. Photographs by author.


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In the following section of this essay, I shift my attention from documenting processes of physical disassembly to thinking about digital making and re-making. Specifically, I explore how the GSA property disposal website used to sell El Toro and similar properties might be used for teaching purposes despite its intended goal of serving private land developers. My claims are the following: (1) the GSA’s property disposal website provides unique and free Cold War content; (2) it functions like an authentic, albeit buggy, beta version of a digital archive documenting Cold War–era buildings and built environments. Therefore, (3) like the very properties the GSA website features, the website itself is open to “adaptive reuse” into a more properly functioning digital archive geared toward students and scholars of Cold War history.

Adapting the GSA’s Website

Thematically, the content within the GSA’s website connects to much of the recent scholarship in Cold War studies, including work on Cold War ruins, work on Cold War geographies, work on elite, off-limits, and technical spaces, work on Cold War domestic environments, and comparative work on “imperial debris.”5 The website makes visible the physical leftovers of abstract geopolitics. Given the content of the website, my discussion here is largely aimed at instructors working in history, anthropology, and allied fields who incorporate digital humanities training into their classrooms. My larger goal, however, is to use this particular case to also expand the idea of “adaptive reuse.” To put forth a working definition: adaptive reuse involves having students assess other people’s digital tools and then work on modifying those tools into scholarly works, resources, or products. The adaptive reuse proposed here can be carried out in three separate steps.

Step 1. The first step of any adaptive reuse project should likely be assessment. The assessment process can be structured as an in-class, group activity or as an individual assignment. Assessment involves asking students to think about the following: What content or services does the digital tool in question currently provide to, or perform for, its users? What features would need to be added, modified, or removed to make the digital tool in question recognizable and functional as an academic entity? In the case of the Real Property Utilization and Disposal Website, the website freely provides original content by inadvertently exhibiting some of the built spaces in which the everyday work of the Cold War happened—capturing the moment just before many of those spaces are sold, redeveloped, and possibly lost from the records. However, the designers of the GSA website organized its search features with property buyers and investors in mind, not students and scholars of Cold War history. In fact, the GSA’s website categorizes each property by its current zoning status and future possible uses (e.g. commercial, industrial, residential), not by its past uses, and certainly not by its potential academic value. Moreover, the Cold War–era properties are mixed together on the website with other surplus government real estate, like old lighthouses and post offices. There are currently no filters that allow users to view only the Cold War–era buildings and built environments. In addition, the GSA website does not currently archive its auctions. Visitors to the website can only view ongoing and upcoming auctions; they cannot access records for properties that were previously sold. These types of observations are what students might draw out during the assessment process. In this particular case, much of the content featured on the GSA’s website has obvious academic value but the design of the website makes that content difficult to use and share for academic purposes.

Step 2. The second step of this adaptive reuse project would be to have students work on adapting the digital tool in question. Depending on the technical proficiency of the students and equipment availability, students might produce mock-ups on paper, write proposals, create wireframes, or actually take up the challenge of adapting the tool for academic use. In the case of the Real Property Utilization and Disposal Website, the work required to turn the website into a functional digital archive geared toward students and scholars of Cold War history might include the following: cataloguing properties based on their past use instead of current zoning status; creating new search features predicated on scholarly terms and interests; building filters for the properties to prevent unrelated government real estate from being intermixed with the Cold War–era buildings and built environments; developing a means to archive the website’s content; developing a means to allow visitors to comment on properties or to create their own image and data galleries; making space for interpretive essays, discussion, or commentary; addressing the stewardship and preservation issues when it comes to digital content; or adding a bibliography that directly connects the website to recent scholarship in Cold War studies—to offer just a few examples.

Step 3. The third step of this particular adaptive reuse project would be to have students present their work and to reflect upon the creative challenges that are specific to adaptation. If the students produced mock-ups or proposals, they can still demonstrate technical proficiencies by addressing how those ideas might be implemented, and by discussing feasibility. If students actually took up the challenge of adapting the tool in question for academic use, the opportunity to present their adaptation(s)—be it one small component or a complete and working tool redesign—affords them the opportunity to explain their initial plans, to outline the work completed, and to generate observations about working in, through, and upon decisions and designs previously made by others. Students might also be asked to consider whether adaptive reuse has a politics to it when performed within the context of the digital humanities. Beyond the skill-building aspects of this type of assignment, might it too be an “art form with a cause” that has aesthetic, environmental, or economic stakes?

Conclusion

Because the purpose of the GSA’s property disposal website is to aid the US federal government in the process of auctioning off surplus properties, it is designed to suit the needs of potential property buyers. It therefore allows visitors to move through image galleries and obtain detailed property information. But the GSA website can also be re-envisioned as an incomplete digital archive, and rediscovered as a potential site for scholarly and pedagogical projects. As such, like the very properties the GSA website features, the website itself is open to adaptive reuse.

Adaptive reuse projects like the one proposed in this essay offer the potential to scaffold digital humanities training by adding new levels of challenge and practice. Given that many digital humanities projects being developed in the present day will age and thus require, over time, episodic retooling, “adaptive reuse” also has the potential to grow as a digital humanities concept from a level of practice, as described and proposed here, to a specialized area of design knowledge, skill, and expertise. Adapting other people’s digital tools can be a key part of the process of learning how to make one’s own. It might also become the very thing that helps sustain the digital humanities over time by mitigating obsolescence, conserving resources, and creating the possibility for new types of tool aesthetics, layerings, and politics.

Bibliography

Barboza, Tony. 2012. “Orange County’s Planned Great Park a Victim of Hard Times.” Los Angeles Times, October 27. Accessed November 1, 2012. latimes.com/news/local/la-me-great-park-20121027,0,6001604.story

Castillo, Greg. 2010. Cold War on the Home Front: The Soft Power of Midcentury Design. Minneapolis, MN: University of Minnesota Press.  OCLC 351318481.

Chambless, Timothy M.  1998. “Pro-Defense, Pro-Growth, and Anti-Communism: Cold War Politics in the American West.” In The Cold War American West, edited by Kevin Fernlund. Albuquerque, NM: University of New Mexico Press. OCLC 39069512.

Coffey, Daniel P. 2004. “Adaptive Re-use.” Contract 46: 56-57. ISSN 1530-6224.

Farish, Matthew. 2010. The Contours of America’s Cold War. Minneapolis, MN: University of Minnesota Press. OCLC 617508692.

Gray, Chris H. 2003. “Posthuman Soldiers in Postmodern War.” Body & Society 9: 215-226. OCLC 438108206.

Hunter, Pam. 2007. “Saving Time and Money with Adaptive Re-use Projects.” Design Cost Data 51: 10, 13-14. http://www.dcd.com/insights/insights_jf_2007.html.

Kaiser, David. 2004. “The Postwar Suburbanization of American Physics.” American Quarterly 56: 851-888. OCLC 608755840.

Komska, Yuliya. 2011. “Ruins of the Cold War.” New German Critique 38: 155-180. OCLC 701896732.

Krasner, Leonard. 2002. Internet for Activists: A Hands-on Guide to Internet Tactics Field-tested in the Fight Against Building El Toro Airport. San Jose, CA: Writers Club Press. OCLC 53891514.

Lennar Homes of California, Inc. 2005. “Lennar and LNR Place Winning $650 Million Bid for All Four Parcels of El Toro Marine Base, California.” News Release, February 17.

Lockwood, David E. and George Siehl. 2004. Military Base Closures: A Historical Review from 1988 to 1995. Washington D.C.: Congressional Research Service, Library of Congress.

Masco, Joseph. 2006. Nuclear Borderlands: The Manhattan Project in Post-Cold War New Mexico. Princeton, NJ: Princeton University Press. OCLC 61151373.

———. 2008. “‘Survival is Your Business’: Engineering Ruins and Affect in Nuclear America.” Cultural Anthropology 23: 361-398. OCLC 438095863.

O’Mara, Margaret Pugh. 2006. “Uncovering the City in the Suburb: Cold War Politics, Scientific Elites, and High-Tech Spaces.” In The New Suburban History, edited by Kevin M. Kruse and Thomas J. Sugrue. Chicago: University of Chicago Press. OCLC 62090790.

Rowe, Jeff. 2006. “Habitat for Humanity Salvaging Building Materials at El Toro.” Orange County Register, August 10. http://www.ocregister.com/news/old-36671-habitat-buildings.html.

Shipley, Robert, Steve Utz, and Michael Parsons. 2006. “Does Adaptive Reuse Pay? A Study of the Business of Building Renovation in Ontario, Canada.” International Journal of Heritage Studies 12: 505-520. OCLC 366072723.

Stoler, Ann Laura. 2008. “Imperial Debris: Reflections on Ruins and Ruinations.” Cultural Anthropology 23: 191-219. OCLC 438095852.

 

 

About the Author

Brian Beaton is an Assistant Professor at the University of Pittsburgh’s School of Information Sciences. His research and teaching interests include science and technology studies (STS), archives, social and cultural theory, information workplaces, design, public and applied history, scholarly communication, digital humanities, and public policy.

 

Notes

  1. For an overview of the interest in computer-mediated warfare among U.S. policymakers that covers key development in the 1990s see Chris Hables Gray, “Posthuman Soldiers in Postmodern War,” Body & Society 9 (2003): 215-226.
  2. For more on changing views regarding defense-related property see David E. Lockwood and George Siehl, Military Base Closures: A Historical Review from 1988 to 1995 (Washington D.C.: Congressional Research Service, Library of Congress, 2004).
  3. For an overview of the efforts to prevent El Toro from becoming a commercial airport see Leonard Krasner, Internet for Activists: A Hands-on Guide to Internet Tactics Field-tested in the Fight Against Building El Toro Airport (San Jose, CA: Writers Club Press, 2002).
  4. For a status update concerning the project see Tony Barboza, “Orange County’s Planned Great Park a Victim of Hard Times,” Los Angeles Times, October 27, 2012, accessed November 1, 2012. Accessed November 1, 2012. latimes.com/news/local/la-me-great-park-20121027,0,6001604.story.
  5. For recent work on Cold War ruins see Joseph Masco, “‘Survival is Your Business’: Engineering Ruins and Affect in Nuclear America,” Cultural Anthropology 23 (2008): 361-398; Yuliya Komska, “Ruins of the Cold War,” New German Critique 38 (2011): 155-180. For recent work on Cold War geographies see Matthew Farish, The Contours of the Cold War (Minneapolis, MN: 2010). On elite and technical spaces see David Kaiser, “The Postwar Suburbanization of American Physics,” American Quarterly 56 (2004): 851-888; Joseph Masco, Nuclear Borderlands: The Manhattan Project in Post-Cold War New Mexico (Princeton, NJ: Princeton University Press, 2006); Margaret Pugh O’Mara, “Uncovering the City in the Suburb: Cold War Politics, Scientific Elites, and High-Tech Spaces,” in The New Suburban History, eds. Kevin M. Kruse and Thomas J. Sugrue (Chicago, IL: University of Chicago Press, 2006), 57-79. On domestic environments see Greg Castillo, Cold War on the Home Front: The Soft Power of Midcentury Design (Minneapolis, MN: University of Minnesota Press, 2010); For a discussion of “imperial debris” see Ann Laura Stoler, “Imperial Debris: Reflections on Ruins and Ruinations,” Cultural Anthropology 23 (2008): 191-219.

Issue 1, Spring 2012

Introduction
Kimon Keramidas and Sarah Ruth Jacobs

“Let’s Go Crazy”:  Lenz v. Universal in the New Media Classroom
xtine burrough and Emily Erickson

“City of Lit”:  Collaborative Research in Literature and New Media
Bridget Draxler, Haowei Hsieh, Nikki Dudley, Jon Winet, et al.

MyDante:  An Online Environment for Collaborative and Contemplative Reading
Frank Ambrosio, William Garr, Eddie Maloney, and Theresa Schlafly

Talking with Students through Screencasting:  Experimentations with Video Feedback to Improve Student Learning
Riki Thompson and Meredith J. Lee

Philosophy through the Macroscope:  Technologies, Representations, and the History of the Profession
Chris Alen Sula

Steps, Stumbles, and Successes:  Reflections on Integrating Web 2.0 Technology for Collaborative Learning in a Research Methods Course
Kate B. Pok-Carabalona

 

Issue One Masthead

Issue Editors
Kimon Keramidas
Sarah Ruth Jacobs

Managing Editor
Sarah Ruth Jacobs

Copyeditors
Steve Brier
Benjamin Miller
Leila Walker

Web Content Management
Claire Fontaine
Sarah Ruth Jacobs

Philosophy through the Macroscope: Technologies, Representations, and the History of the Profession

Chris Alen Sula, Pratt Institute

Abstract

Macroscopes are tools for viewing what is too large, complex, or dynamic to perceive with the naked eye. This paper examines the use and history of macroscopy in philosophy to represent ideas, trends, and other aspects of the field. Particular emphasis is given to the growing Phylo project, which combines data, user collaboration, and visual analytics to advance the study of philosophy. This paper also presents two pilot studies focused on unique aspects of Phylo: one on the perceived importance of social connections in philosophy and the other on information visualization and academic philosophers. The second study, in particular, points toward several recommendations and areas of further research, and underscores the value of macroscopy in representing the field and suggesting interventions.
 

Few episodes in the history of technology are as curious as seventeenth-century opinion surrounding the first microscopes. Robert Boyle, an early proponent of microscopy, claimed he could prove his theory of color perception if only he “were sharp-sighted enough, or had such a perfect microscope,” as to discern the surfaces of objects ([1663] 1755 Vol. 5, 680). Robert Hooke announced that, now, “nothing is so small, as to escape our inquiry” (1665, Preface). Enthusiasm for the tool was so complete that the early microscopists were more focused on discussing the design, construction, and performance of their inventions than on making biological observations with them (Bracegirdle 1978, 8). “By 1692,” Catherine Wilson reports, “Hooke was already complaining of reaction against the microscope, of boredom and disenchantment” (1995, 67). Not until the nineteenth century did microscopy inspire a school that carried on the tool—this time with scientific results (Singer 1970, 382).1

Nearly three centuries after the microscope was invented, Joël de Rosnay noted the emergence of a new tool: the macroscope. “The macroscope is unlike other tools,” he warned. “It is a symbolic instrument made of a number of methods and techniques borrowed from very different disciplines…It is not used to make things larger or smaller but to observe what is at once too great, too slow, and too complex for our eyes” (de Rosnay 1973, xiv). Within de Rosnay’s sights were topics of energy and survival, information and society, and time and evolution—systems-level phenomena that elude casual perception and exhibit various interaction effects between their constituent elements.

In contrast to the microscope, which was turned on tiny bits of matter, de Rosnay claimed that the macroscope would be focused on ourselves: “This time our glance must be directed towards the systems that surround us in order to better understand them before they destroy us” (xiv). Whereas the microscope was a tool of enhancement and understanding, the macroscope would also be an important tool of action. “Let us use the macroscope,” he urged, “to direct a new look at nature, society, and man to try to identify new rules of education and action” (xiv).

Whether the macroscope(s) will follow the same course as the early microscopes—disuse, disenchantment, delay in adoption—remains to be seen. One suspects its use in fields such as ecology, economics, or evolutionary biology (the principal fields de Rosnay examined) has been enthusiastic and substantive. Whether those in the humanities have embraced the tool is another matter. A telling example may be Franco Moretti’s Graphs, Maps, Trees: Abstract Models for a Literary History (2005). As opposed to the close (microscopic?) readings of a single text that typify literary scholarship, Moretti employs a “distance reading” (macroscopic) method: “instead of concrete, individual works, a trio of artificial constructs—graphs, maps, trees—[is used] in which the reality of the text undergoes a process of deliberate reduction and abstraction….fewer elements, hence a sharper sense of overall interconnection. Shapes, relations, structures. Forms. Models” (1). While Moretti’s work is regarded by many as revolutionary, even he describes it as a “specific form of knowledge,” and Emily Eakin calls  Moretti’s approach a “heretical blend of quantitative history, geography, and evolutionary theory” in her review of the book (New York Times, January 10, 2004)—perhaps suggesting that it is not literary or humanistic at all.

This marginalization is a fate for the macroscope that I wish to avoid.  In the same pragmatic spirit in which de Rosnay advanced this tool, I suggest that the macroscope affords a wide and unpredictable range of applications across disciplines, including opportunities for understanding the ways in which ideas and knowledge are produced and exchanged, especially in the formal and structured channels of academia. This approach is interdisciplinary, requiring a hefty dose of empirical methodology that is not beyond the scope of criticism. As Cathy Davidson points out, “Data transform theory; theory, stated or assumed, transforms data into interpretation. As any student of Foucault would insist, data collec­tion is really data selection. Which archives should we preserve? Choices based on a com­plex ideational architecture of canonical, institutional, and personal preferences are constantly being made” (2008, 710). Though critical perspectives on empiricism should not be lost, it is equally misguided to allow them to paralyze knowledge construction, especially where new methods and their applications are concerned. In such cases, it is worth suspending critical concerns provisionally for the sake of further inquiry. An analogy with engineering is helpful here: whatever the epistemic status of a set of scientific facts, those facts may still help build bridges, launch rockets, or cure diseases. In the end, this pragmatic test may be sufficient to justify a place for those facts in what is considered knowledge; if not, at least we are left with rockets, vaccines, and other technologies. So too, the macroscope as a tool may yield interesting and useful results, and epistemological questions may be reserved for a later date, once some results are in.

This paper introduces a macroscopic view of philosophy by discussing Phylo (http://phylo.info), a developing, interactive search tool that will visualize connections and trends between individuals, institutions, and ideas in philosophy. To provide a context for this tool, I begin by surveying past and present attempts to represent philosophy, noting the technologies and media involved in each, as well as their merits and limitations. Following this historical review, I discuss the data and interface for Phylo in greater detail, paying particular attention to two unique aspects of Phylo: its focus on social connections and its use of information visualization. I then present the results of two surveys that separately address each of these aspects. The first survey focuses on social connections in the field and the importance philosophers ascribe to them in their research. The second survey is a pilot study in which philosophers were asked to interact with macroscopic representations of the field and report their experiences. The data from these studies support the overall approach taken with Phylo and suggest several ways in which macroscopic representations might be refined to aid comprehension and facilitate user interaction.

It should be noted that this paper acts as a précis to the macroscopy of philosophy as a whole. In a fuller treatment, it would be necessary to address the modal aspects of philosophy (e.g., philosophers, institutions, schools, ideas) separately by discussing past and possible representations of each in detail, as well as empirical research on various types of visualizations. In this paper, I discuss the field cross-modally, switching liberally between representations of people, places, and ideas in philosophy. My immediate goal here is to demonstrate the power of the macroscopic perspective, and for that purpose, a wide swath of material will suffice.

Representing philosophy

In a macroscopic sense, representations of philosophy present top-level, abstract views of the field, either generally or for some particular subfield of philosophy or topic area. In some cases, they are created to give introductory overviews to orient non-specialists to the history and content of ideas. In others, they are tools for facilitating research or advancing substantive views about the development, merit, and trajectory of particular schools, movements, ideas, and arguments. Representations of philosophy tend toward the textual; few visual examples exist. Still, it is worth surveying the variety of examples and their merits to inform the design of current, macroscopic representations of the field. Since macroscopy will, to some extent, rely on empirical methods and quantitative analysis, it will be helpful to place historical representations within the framework of figure 1, which is based on idealized poles of purely quantitative and purely qualitative representations. This figure also positions three general categories of textual representations (narratives, encyclopedias, bibliographies), as well as the few instances of visual representations, all of which are discussed in greater detail in this section.

Figure 1. An organizational framework for representations of philosophy.

In assessing these types and representations, it will be helpful to consider issues of neutrality and completeness. Creators of representations are forced to decide not only which material to include and which to exclude (the selection problem), they are also burdened with categorizing that material in particular structures (the organization problem). Both of these processes involve some amount of bias that, to varying degrees, compromises the ideals of neutrality and completeness to which these representations aspire. Of course, it may be equally naïve to suppose that any nonbiased representation of the field is possible. Still, a survey of these representations and their limitations can prove instructive for discovering ways to reduce bias and harness new technologies in the service of more neutral and more complete representations.

Narrative representations

By far, narrative accounts form the most common representations of philosophy and are the stock and trade of most historians of philosophy. In the past decade, significant attention has been given to contemporary analytic philosophy with such notable works as Scott Soames’ two-volume Philosophical Analysis in the Twentieth Century (2003), Avrum Stroll’s Twentieth-Century Analytic Philosophy (2001), and the American Philosophical Association’s Centennial Supplement to the Journal of Philosophical Research, Philosophy in America at the Turn of the Twentieth Century (2003). These and other narratives tend to portray the field in terms of key figures and major movements, leaving aside the minor figures that, in Randall Collins’s view, form the social structure crucial for disseminating ideas: “To speak of . . . a little company of genius would be to misread the sociological point entirely. It is the networks which write the plot of this story, and the structure of network competition over the attention space, which determines creativity, is focused so that the famous ideas become formulated through the mouths and pens of a few individuals” (1998, 78). Collins chooses to represent the field in terms of maps of social connections, which I discuss in a later section on visual representations.

In evaluating narrative accounts and Collins’ criticism, it is worth recalling Marshall McLuhan’s rejection of the notion that content or ideas are simply delivered through the use of various media. On the contrary, “it is the medium that shapes and controls the scale and form of human association and action” (1994, 9). If McLuhan is correct, understanding these delivery methods is at least as important as understanding their actual content, and representing the field strictly in terms of ideas excludes the vehicles by which those ideas are propagated or silenced—the vehicles which also shape and transform those ideas. This fact has long been appreciated by bibliometricians who study patterns of authorship and citation within scholarly book and journal communication. Presently, this research suggests that social connections play an important role in determining co-citation patterns in which two authors cite one another (White, Wellman, and Nazer 2004; Pepe 2011). One must approach these studies with caution, however, because most bibliometric research has been based on scientific literature and citation patterns have been found to differ across disciplines (Lancho-Barrantes, Guerrero-Bote, and Félix Moya-Anegón 2010). Humanists, in particular, are known for crediting each other less frequently than scientists (Hellqvist 2010), but marked patterns of co-citation still exist in the humanities (Leydesdorff 2011) and humanists have begun to credit each other more frequently over time (Cronin, Shaw, and LaBarre 2003). While the full influence of social connections on all citation patterns in the humanities is not fully known, omitting these connections and the minor figures that serve as bridges, liaisons, and transmitters weakens the power of most narrative representations. It is important to note that this weakness is perhaps more the fault of the narrative form itself than that of particular authors; a narrative structure seems ill suited for recording a high volume of connections between people (about whom little else may be known). With this criticism in mind, it is worth reviewing more quantitative textual approaches that may be capable of representing the high-volume data required for macroscopy.

Bibliographic representations

General bibliographies of philosophy date back as early as the fourteenth century, though Johann Jacob Frisius’s 1592 bibliography may be regarded as the pioneer of the form, which was followed for several centuries by larger compendia. As Michael Jasenas notes, these bibliographies all contained some amount of bias: “minor authors whose writings were related to the curriculum of a university often had more chance of being listed in the bibliographies of philosophy of the time than a philosopher whose views were so advanced that they remained for a while peripheral to the field” (1973, 41). The last of these general bibliographies came in 1905 with Benjamin Rand’s massive compilation, which contained over sixty-thousand entries and has been succeeded only by more limited subject bibliographies. While Rand’s bibliography gave exhaustive coverage of the nineteenth century, it still reflected the compiler’s strong interest in psychology, which spans nearly a quarter of the entire work—more than logic, aesthetics, philosophy of religion, and ethics combined. Indeed, Gilbert Varet’s ambitions for an “indiscriminate” catalogue remain unfulfilled to this day.2

Beyond problems of inclusion and exclusion, these bibliographies also suffer from various limitations imposed by their printed form. One is the need to aid users in finding sources: Should entries be arranged alphabetically or chronologically? By author/philosopher or subject matter? Should entries be cross-listed (perhaps with a limit on the number of times one source appears)? These questions were most commonly answered with subject classifications such as metaphysics, aesthetics, and ethics. These classifications, however, exhibit biases similar to those involved with inclusion and exclusion of sources. As Jasenas notes: “philosophy has always been in a state of flux, with differing conceptions of scope and interest prevailing at different times. In classical antiquity philosophy encompasses almost all fields of knowledge; but later many of them gradually became separated from philosophy as independent disciplines. Consequently, the history of the subject is largely colored by the continuing tendency to re-define and emphasize special areas of interest formerly included in larger definitions” (12). A variety of historical classifications is presented in figure 2 below.

Figure 2 (Click to Enlarge). Comparative diagrams of selected bibliographies of philosophy from 1498 to 1905.

Though there is noticeable overlap between these classifications (e.g., inclusion of the trivium and quadrivium across several centuries), the differences are also telling, both in terms of the position of certain subjects within the author’s taxonomy and the presence or absence of certain subjects (e.g., medicine, agriculture, law) in one bibliography as compared to others. Jasenas attributes these differences to the influence of past bibliographers (e.g., Gesner on Frisius), the importance of the subject as perceived by the bibliographer (e.g. Spach’s inclusion of ethics), and the university curriculum familiar to each bibliographer. Though each attempted a cosmopolitan rendering of the field, his representation fell short of the goal of a neutral and complete representation of the field. These bibliographies should be appreciated, however, if only for their ability to catalogue the growing size of the field: from approximately one-thousand authors (Gesner) to five-thousand authors (Spach) to more than sixty-thousand discrete works (Rand).

Encyclopedic Representations

Perhaps in response to the growing literature in the field, bibliographies gave way to encyclopedias, most notably Macmillan’s Encyclopedia of Philosophy (1967). These collectively authored volumes have attempted to treat individual topics in a general and comprehensive manner. Contrary positions are presented with equal regard—or at least given their day in court for the benefit of novices, scholars of other (sub)disciplines, and experts alike. Rather than advocating for specific views or positions, these entries purport to give accurate, thorough, and undistorted representations of philosophy. But is such an expectation really fulfilled, and, to ask the prior question, is such an expectation even warranted? Decisions about the content of encyclopedias and the exposition of their topics are the choices of lone scholars, who, incidentally, have their own views to defend on the very topics they attempt to present in an unbiased fashion. It is not unreasonable to think that these views compromise the neutrality advertised by encyclopedias of the field.  Moreover, there have been few steps toward transcending the single-author model for encyclopedic entries. Though we should question the assumption that collectives always produce better results than individuals, it is reasonable to suspect that collaboration helps to diminish the distorting effects of individuals’ opinions. Nevertheless, individual authorship and the myth of lone expertise are mainstays, and problems of selection and organization affect encyclopedic representations no less (and perhaps much more) than bibliographic representations.

Visual representations

Though past visual representations of philosophy are scarce, three examples stand out. The first is the work of Milton Hunnex, who created chronological and thematic charts that “take advantage of the fact that philosophical theories tend to recur in the history of thought, and tend to cluster within the limitations of several possibilities of explanation” ([1961] 1983, 1). Hunnex’s book contains twenty-four diagrams, each spread over two full-sized pages, which show various fissions and fusions between ideas and schools of thought over time, depicted on the horizontal axis. Examples of diagrams include “Platonic Dualism,” “Hedonism,” “Kantianism (Dualism), “Analytical Philosophy,” and “Existentialism and Phenomenology.” These diagrams attempt to show both antecedent and consequent influences, and the expected relationships (e.g., Socrates begat Plato, who begat Aristotle) are indeed reflected. Altogether lacking in this work is any discussion of criteria and methodology for drawing the charts, and Hunnex repeatedly affords his contemporaries (now largely forgotten) an equal place with canonical authors. Despite its methodological opacity and weakness, his work can safely be praised for its innovation and utter uniqueness in the field.

The second and third visual examples specifically address the role of people in philosophy. As we saw in discussing narrative representations, this stress on social connection may be especially important for explaining how, in a macroscopic sense, ideas flow across time and space in the field. Collins, who develops this idea more formally using sociological theory, also includes nearly forty diagrams depicting social influence in the field. “Major” and “secondary” or “minor” philosophers are shown in ties of acquaintanceship (including master–pupil ties), as well as conflict based on their work.3 Collins does not include all philosophers, noting in an appendix that “the proportion of publications by and citations to (and hence the influence of) intellectuals falls off rapidly as one leaves the central core [of scholars]. This kind of work would only add to the tails of the distribution” (Collins 1998, 890). As with the bibliometric studies discussed earlier, this observation is based on scientific literature dating back to the modern period, and the validity of these claims for humanities probably deserves further scrutiny. Collins’s representations nevertheless advance a general understanding of social influence in the field, though other questions remain: On what specific bases do attributions of acquaintanceship and conflict rest? How much disagreement is sufficient to characterize one philosopher as “attacking” another (Collins’s term)? Might it be possible for philosophers to agree on some issues yet disagree on others, and how would such a relationship be rendered? These problems arise, in part, from the fact that space is limited and the diagrams are static; only so much can be shown at one time.

A more recent, interactive example is Josh Dever’s Philosophy Family Tree (2005). Visitors to the website (https://webspace.utexas.edu/deverj/personal/philtree/philtree.html) can click through a tree layout or “file browser” display to view a hierarchy of over eight-thousand philosophers since the seventeenth century. While the Tree attracted early attention in the philosophical blogosphere, it records only a single relationship—an “academic parent–child” relationship—across “generations,” and there is neither a consistent methodology for attributing this relationship (sometimes it is one’s dissertation advisor, sometimes a major influence) nor documentation for these attributions. Also, in contrast to Collins’s diagrams, only acquaintanceship is tracked, not disagreements in philosophical views, making it harder to trace the flow of ideas across time. Like the two other visual examples discussed earlier in this section, the Tree should be praised for its sheer existence and ambitions, but greater attention must be paid to methodology before it can have serious research and teaching applications.

Phylo as macroscope

In the foregoing sections, I criticized textual and visual representations of philosophy for their various biases (esp. through their organizational structure) as well as their incompleteness, either in omitting social connections or failing to provide sufficient information about those connections. In this section, I describe the data and interface of Phylo, which attempt to address these weaknesses and provide a representation of the field that is both more neutral and more complete. I also address the limits of representation in general—that is, the distortion that is bound to occur with any representation. In discussing the organization, completeness, and representation-effects of Phylo, it is important to remember that the methodology, rather than the status of its current dataset or interfaces, best captures the macroscopic nature of the tool.

Phylo is built in Drupal, an open-source content management platform, which calls information from one or more SQL databases and offers thousands of add-on modules as well as the ability to design custom modules. Phylo contains several add-ons as well as a suite of custom modules that are planned for release to the public later this year, so that other disciplines may use the same framework for gathering and displaying data. Drupal was chosen for the project both for its flexibility and because its nature as an open-source tool aligns with the principles statement adopted in the mission statement for Phylo (http://phylo.info/mission).

The Phylo database currently contains information about

  • philosophers (e.g., name, date of birth, date of death);
  • faculty positions (e.g., appointments, job openings);
  • institutions (e.g., colleges, universities); and
  • formal scholarly communications (e.g., articles, books, dissertations).

Additional frameworks are being explored for informal scholarly communications (especially correspondence) and teaching materials, such as syllabi. From this data, a number of relations may be constructed, including advisor–advisee ties, dissertation committee service, and departmental colleagues; authorship and citation patterns are also planned. At present, all major datasets on North American philosophers since the 1880s (the date of the first dissertations) have been consulted, and nearly all recorded dissertations and faculty appointments are included, covering over 17,334 philosophers. Data on dissertations was obtained by cross-referencing Dissertation Abstracts International, Thomas Bechtle’s Dissertations in Philosophy Accepted at American Universities, 1861-1975 (1978), and annual lists of doctoral degrees printed in the Review of Metaphysics, as well as archival research at seventeen institutions. Faculty appointment data were obtained by cross-referencing American Philosophical Association membership lists, the biannual Directory of American Philosophers, and departmental records and webpages across various institutions. Information on publications and citations, which is significantly larger, remains an ongoing source of data collection. Data is also collected from user submissions, extending the scalability of the tool and encouraging the development of a community of users who add, explore, and update information. Users are strongly encouraged to provide one or more sources for each item of information (e.g., degree date) they submit, which both increases the transparency of each data point and maintains longstanding practices of citations and scholarly warrants.

Interactive displays have been planned to present this information in various network, chronological, and geographical visualizations. Two sample visualizations are presented in figures 3 and 4, which show a network diagram of individual ties and a timeline of departmental history (respectively).

Figure 3 (Click to Enlarge). Sample network graph of individual ties.

Figure 4 (Click to Enlarge). Sample timeline of a philosophy department.

Each of these visualizations is meant to show, at a glance, the various people and areas associated with one person or a department—providing larger context for that person or department. The timeline display has already been implemented and tested during development, and work on several additional displays with more analytic power is underway in spring 2012.

The digital form of Phylo and its associated computing capabilities afford a unique opportunity for studying the discipline in an empirical way, one that improves upon traditional representations that are at best subjective and at worst merely anecdotal. The usefulness of this method has already been previewed by two recent articles:  Jason Byron (2007) has used bibliometric data to dispel the received view that philosophy of science neglected biology in the 1930s, 1940s, and 1950s. This confirms Moretti’s conclusion that “we see them [quantitative data] falsifying existing theoretical explanations” (30). In a very different use of quantitative methods, Shaun Nichols (2007) has proposed a hypothesis about conjoint belief in separate elements of theory-pairs (e.g., determinists will be more likely than indeterminists to be compatibilists) and tested this by “observing” the views of past philosophers and analyzing pairings of those views for statistical correlations. The novelty of Byron and Nichols’s results, which center on relatively small datasets, suggest even greater potential for Phylo, which is several orders of magnitude larger in size.

The digital nature of Phylo also ensures that hard-and-fast decisions about selection and organization need not be made. So-called “fringe” figures and ideas can be included, along with their connections to other data; if indeed these entities are marginal, then their relative unimportance should be reflected in visualizations of the data. The data framework can also extend to capture new sources of information. While institutional relationships and formal scholarly communications dominated the lives of twentieth-century philosophers, less formal relationships and correspondence were important during earlier periods. The Drupal installation can accommodate such differences by building broader content types with more flexible fields. For example, the content type for documents need not require listing a publisher or exact date; such a framework for documents might be neutral between, say, formal publishing and letters or written notes. In addition, through multiple taxonomies (and crosswalks relating terms in each), documents can be categorized under multiple systems representing subjects and ideas, and users can switch back and forth between different systems of arrangement, eliminating the need for any single, “canonical” organization. These powers of scale and flexibility help to reduce the biases imposed by single authors, editors, or bibliographers that we examined in discussing existing representations. Indeed, comparing different arrangements can itself be a valuable exercise in understanding and even for correcting the biases of each.

One issue that remains, however, is the distorting effect of all representations. For any phenomena with a complexity of n, a representation of n will only be as complex as nm, where m is based on the expressive power of that representation. A 2-D map, for example, will inevitably distort actual geography because of dimension reduction, while a 3-D map may lessen the distortion but is unlikely to completely eliminate it. Similar concerns apply to non-geographic representations, such as those made possible by Phylo. Two points may be offered in response. First, given the empirical basis of Phylo as a project, statistical and event analyses may be performed on the data to yield more accurate, non-representational results, such as the factors that predict the emergence of a major scholar or article. These analyses may, in turn, inform design choices to yield visualizations that reflect statistical realities. Second, as a digital tool, Phylo can represent datasets in a variety of different visualizations; no one type or design need be favored above all others. These various visualizations may then be evaluated, particularly through user studies, to reveal which are most useful, revealing, etc. Though Phylo’s visualizations may exhibit some limitations, Phylo’s digital foundation allows empiricism and pluralism to more thoroughly preclude instances of bias, incompleteness, and distortion.

Once suitable data have been gathered and visualizations created, this framework will help to reveal which kinds of social influence have resulted in interesting and original philosophical ideas and which have led us down more frustrating or less fruitful paths. These observations about the beneficial or detrimental effects of various kinds of social influence would then help to inform practical decisions about admission, employment, tenure and promotion, even research and teaching in the field—all in keeping with de Rosnay’s notion of the macroscope as, above all, a tool for action.

Given the promise of this approach, it is worth asking how empirical evidence can contribute to the design and construction of Phylo, both in terms of data on philosophers and interfaces that would be useful to the philosophical community. The following two sections address the issues of data and display by discussing empirical studies of social connections in philosophy, as well as the role of information visualization in displaying data about the field. Each section presents a pilot study conducted with philosophers about the value they assign to social influences or their experience using visual representations of the field.

Social influence in philosophy

Social connections are often discounted in a field that prizes itself on rationality. As I have argued elsewhere, it is a mistake to regard the progress of philosophical ideas as the march of reason and rationality through time; social influence in the form of teachers, colleagues, and critics plays a central role in practices of reward and reputation, and an empirical study of these influences is sorely needed (Morrow and Sula 2011).

As a preliminary attempt to study this influence, seventy-five philosophers were asked about the information sources that contribute to their understanding of other analytic philosophers. One participant was chosen at random from each of the top fifty Leiter-ranked institutions,4 and one participant was chosen at random from faculty working in the history of analytic philosophy at the top twenty-five Leiter-ranked departments for the study of the history of analytic philosophy. Participants were asked to rank the importance (on a scale of one to six) of various information sources in their understanding of a particular philosophy from the past 125 years. Sources included the individual’s doctoral institution, dissertation advisor, graduate school peers, students he/she advised, and publications. Participants were also asked how much those same things have influenced their own research and/or professional career. The order of the list was changed from the first question to the second, and the wording was shifted from third person (e.g., “dissertation advisor,” “graduate school peers”) to second person (e.g., “who your dissertation advisor was,” “who your peers were in graduate school”). The results of this survey are presented in table 1.

In general, participants rated the influence of most items on their own research/careers as higher than the importance of the same items in understanding the work of others. Even after adjusting for this trend (an average difference of 0.67), participants still ranked personal factors (italicized) with an average importance of 2.12 in others’ work compared to 2.86 (3.53 raw) in their own. The average importance of publications was ranked 5.82 in other’s work and 4.85 (4.18 raw) in their own. The average difference between publications and personal factors was thus 3.70 for others’ work and 1.99 (0.65 raw) for their own. This is a striking asymmetry in perceptions of personal influences: respondents weighted publications nearly twice as important as people in understanding others’ work, yet the difference between the two shrunk by half when respondents were asked about their own influences.

In short, the survey respondents acknowledged that personal ties have an important influence on their own research/careers, yet assign little importance to these ties in understanding other philosophers. The magnitude and mechanisms of personal influences, as well as the cause or causes of this asymmetry in perceived value, are areas for further inquiry. The self-assessment data from the study nevertheless indicates that philosophers recognize the role of social connections in their own work. On the basis of these self-reports, they ought, rationally, to assign the same weight to those connections in approaching the work of others. In incorporating data on social connections as well as publications, Phylo serves an important purpose in facilitating more comprehensive research, and it will be interesting to repeat this survey (or a similar one) with Phylo users in the future to determine if the tool has changed perceptions within the field.

The role of information visualization

While the scale of Phylo offers clear advantages, it also brings with it certain challenges of representation. Chief among them is the need to make high-volume, macroscopic data cognitively salient for users. Much of the information contained in Phylo cannot be easily comprehended in textual form; thus, information visualization, “the use of computer-supported, interactive visual representations of data to amplify cognition,” plays a crucial role (Card, Mackinlay, and Schneiderman 1998). To test the usefulness of different visualization types (and even the usefulness of information visualization itself among philosophers), a pilot study was conducted using data from Phylo as well as publication records contained in PhilPapers, a free online catalog of books, articles, and other publications in philosophy. These experimental visualizations are not included in Phylo at present, and were constructed simply for this study using external software. The methodology of this study as well as the visualizations employed in it are presented below, along with the survey results. I conclude by offering several recommendations for the types of visualizations that could become part of Phylo’s online presence in the future.

Methodology

Four visualizations were prepared for this study based on three different visualization techniques: population graphs, Lexis diagrams, and network diagrams. The methodology and data sources of each chart are described below with the accompanying visualization. Participants were asked to rate (on a five-point scale) how informative each visualization was and how much it reflected their understanding of the topic. They were also asked to provide qualitative feedback on whether they learned anything new from the visualization and how, if at all, their understanding of the topic changed as a result of the visualization. The survey was sent to fifty-five faculty, graduate students, and undergraduate majors in philosophy within the City University of New York. Random selection was not employed in this pilot study, though efforts were made to recruit individuals from a variety of areas and methodologies. Twenty-eight respondents completed at least some part of the survey; nineteen completed all parts. Seventeen provided demographic information on their gender, age, primary status in the field, and primary affiliation. These results are presented in table 2. There was no significant correlation between any demographic categories and participants’ responses. Given the small number of respondents, this is unsurprising, and a larger study would do well to test for such correlations.

Visualization 1: Population graph

Population graphs show the overall structure of a population based on age group (i.e., birth year cohort); male and female figures are often shown separately, since sex has important implications for other demographic trends involving birth rate, education, health, and so on.  Population graphs often highlight the growth and age structure of the population, as well as changes in female and male birth rate and mortality.

For the purpose of this study, the graph was adapted in several ways. Although individuals enter populations through birth or immigration, entry into academic disciplines is usually characterized by completing a doctoral degree in the field. Thus, the year in which a person’s doctoral degree was awarded was used as a proxy for his/her birth year in the field. In this study, there was no correlate for exit because many actual years of death were unknown and, even if they were, it is likely the individuals exit the field through retirement or unemployment in the years or decades before they die. As a result, figure 5 is not a true population graph because it does not show any existent population over a single period of time, but rather several continuous populations within the period indicated. Nevertheless, the chart captures overall trends of growth and decline and gives a sense of the age and gender of the current population.

Figure 5 (Click to Enlarge). Population chart showing North American PhDs in philosophy between 1905 and 2005.

Data on doctoral degrees was compiled from dissertations housed in libraries at seventeen North American institutions, as well as records contained in Dissertation Abstracts International, Thomas Bechtle’s Dissertations in Philosophy Accepted at American Universities, 1861-1975 (1978), and annual lists of doctoral degrees printed in the Review of Metaphysics. Sex was imputed to degree recipients based on first and middle names, as well as additional research about specific individuals. Of the original 14,926 degree recipients, the sex of 911 (6.1 percent) could not be determined, and these were excluded from the visualization.

Visualizations 2 and 3: Lexis diagrams

Lexis diagrams (1875) show the exposure of cohorts to a given condition (e.g., giving birth, contracting a disease) over a continuous period of time. They are useful for looking beyond aggregate population trends to show the contribution of different segments of the population to those trends.

The visualizations below were created with Kirill Andreev’s Lexis Map Viewer, which plots age on one axis and time on another and uses hue to represent density of exposure to the condition of interest: in this case, publishing a journal article. As in the previous visualization, similar adaptations were made to accommodate this special population. In the standard case, cohorts are constructed out of birth years and represent individuals who move through time and historical events together. Academics, however, receive their PhDs at various ages, and a philosopher with n years of experience is more likely comparable to another philosopher with n years of experience, regardless of the age of each, rather than a philosopher of the same age with n + m years of experience. As a result, a better choice than birth year for constructing academic cohorts is the year in which a person’s doctoral degree was awarded. Since year of “death” (i.e., exit from the field) was again unknown, an artificial cutoff of fifty years from receipt of degree was used on the assumption that most individuals receive their degrees, at the earliest, in their late twenties and would likely be retired or dead fifty years from that date.

Figure 6 (Click to Enlarge). Lexis diagram showing individually-authored journal articles by North American philosophy PhDs, between 1876 and 2010.

Figure 7 (Click to Enlarge). Lexis diagram showing the ratio of female to male individually authored journal articles by North American philosophy PhDs between 1876 and 2010.

Data for figure 6 was prepared by matching articles listed in PhilPapers with degree and sex information from the first visualization. The number of articles displayed is absolute.5 The ratio of female to male publication in figure 7 was computed by direct comparisons of year x “age” sets (e.g., articles published in 1926 by males who received their degrees eighteen years ago with articles published in 1926 by females who received their degrees eighteen years ago). Of the original 228,078 articles obtained, 56,665 (24.8 percent) were matched with degree data to produce these visualizations. This percentage yield is explained by several factors. First, PhilPapers contains several thousand entries written by psychologists, classicists, and scholars from other disciplines. In addition, 29,799 (13.1 percent) articles were written after 2005. Since the degree dataset ends at 2005, recent publications by junior scholars could not be matched. Finally, North American philosophers account for only a fraction of the overall output of the field. Still, it is reasonable to suspect that the data reflected in these visualizations is far from complete, but there is no reason to suspect any systematic bias that would distort the general accuracy of the visualizations in reflecting overall trends.

Visualization 4: Network diagram

Network diagrams display connections and relationships between parts of a system. Each network is made up of a set of discrete elements (i.e., vertices, nodes, actors) and a set of connections (i.e., edges, links, relational ties) between them (Barabási 2002; Buchanan 2002; Newman, Barabási, and Watts, 2006; Watts 2003). Network analysis can yield information about individual elements, including their prominence and the roles they play as isolates, liaisons, bridges, etc.; pairs of elements, including distance and reachability; and group-level properties, including centralization, density, prestige, and recurring structural patterns (equivalence classes and blockmodels). Current work by network analysts includes the study of multiple relations, dynamic networks, and longitudinal network data.

Data for this visualization was based on Barbara C. Berman’s Library of Congress Subject Headings in Philosophy: A Thesaurus (2001), which provides a hierarchical taxonomy of subject headings. Each subject was treated as a separate node, and the parent–child relationship was recorded as an edge. In some cases, homonyms were disambiguated to aid in clarity.

Figure 8 (Click for Interactive Visualization). A network diagram of subject headings in philosophy published by the Library of Congress.

This visualization was prepared using the network display in IBM’s Many Eyes online data visualization software. The software is designed to keep strongly related items close to each other and weakly related ones farther apart. The network display is interactive; it can be zoomed or panned to obtain a detailed view of different parts of the diagram. Clicking on a node highlights its edges and immediately connected nodes.

Results

Participants’ responses about the informativeness of each visualization and how much each visualization reflected their understanding of the topic are shown in figure 9.

Figure 9 (Click to Enlarge). Results of the information visualization pilot study.

Three-quarters of respondents found the population graph informative or very informative. In their qualitative responses, a number of participants noted the sharp rise in degrees in the 1970s and mid-1990s as well as several trends involving women in the field, including the still-stark gender inequality in the field. Several expressed surprise at the number of women in the field in the early twentieth century while noting that it was still quite small. A few respondents thought that placing the male and female columns side-by-side (as in a traditional column chart) rather than in the population-chart style would have made the visualization clearer.

Data on the Lexis diagrams were inconclusive. Reactions to the first Lexis diagram (see figure 6) included almost equal numbers of favorable and unfavorable responses.  Reactions to the second Lexis diagram (see figure 7) exhibited a bimodal distribution, with many respondents reporting that the visualization was very uninformative or neither informative nor uninformative. One possible explanation of the different reactions to these two Lexis diagrams is that the third visualization relies on more complex ratio data, while the second visualization represents whole numbers of articles. In addition, it is possible that the sequence of the questions influenced responses to the third visualization, with those who had unfavorable reactions to the second visualization exhibiting even more unfavorable reactions to the third (another Lexis diagram).

While the quantitative responses to the Lexis diagrams might recommend discontinuance of their use as visualizations, the qualitative responses tell another story. A number of participants said it took some time to interpret the diagrams, but once they did, the diagrams reflected their understanding of the topic. Those who expressed favorable responses said the diagrams reflected their understanding and made the information more “immediate,” “striking,” and “interesting.” Many respondents, including those who had unfavorable reactions in their quantitative evaluations, began to summarize interesting points of the diagram, offer explanations about trends in the data, or pose further questions about what was happening in the field. These responses suggest that although the visualizations may have been difficult to understand quickly, participants indeed engaged with them, enough to generate critical questions and topics for further inquiry. This reflects Plaisant’s observation that visualization can often be used to “answer questions you didn’t know you had” (2004, 111).

Responses to the network diagram exhibited a bimodal distribution similar to the third visualization, with most participants finding the diagram either very uninformative or neither informative nor uninformative.  A number of respondents noted problems in accessing the diagram, either because of browser incompatibility or errors in JavaScript that prevented them from viewing it. Many thought there was too much information presented initially and some “filtering mechanism” was needed. Several expressed confusion over the network diagram itself, asking about the significance of the nearness relation or questioning the closeness of particular nodes (e.g., police ethics and surrealism.) Despite these difficulties, a few respondents reported that the network diagram was interesting and “pleasant to use,” and one even noted that it “gave me a jolt to realize how much of philosophy is non so-called ‘western’.”

Recommendations

In this study, the four visualizations were presented purposely without explanation or interpretation to test subjects’ unvarnished reactions. In addition, the visualization types were mainly selected from demographic representations, since the information presented concerned populations. Respondents trained primarily in philosophy were probably unfamiliar with these displays and may have needed additional time or training to interpret them. Many seem to have interpreted them correctly, however, and their qualitative responses reflected critical engagement with the visualizations. In future presentations of these visualizations, a short introduction or tutorial explaining the format of the visualization and perhaps drawing attention to one or two points of interest would likely meet with more favorable reactions from participants.

In addition, the network diagram in particular presents challenging issues.  The strength of network diagrams is their ability to display high-density information; at the same time, that sheer volume of data may prove overwhelming and stymie further exploration. As with interactive maps, network visualizations may benefit from pre-set levels of zoom centered around users’ interests. Should they wish, users can then explore other areas or more abstract levels of the diagram without needing to navigate these more complicated layers first. Additional recommendations for simplifying network displays can be found in Herman, Melançon, and Marshall (2000).

Conclusion

As de Rosnay suggested, the macroscope is still in its infancy. Like the microscope, it too will require refinement as an instrument and sufficient practice to yield intelligent use. Still, it is worth reflecting on the timely range of issues in the field that even this pilot study raised: the persistence of gender inequality in North American philosophy, the potential overrepresentation of Western philosophy in perceptions of the field, and underlying structural trends in the population that impact scholarly output. Indeed, the macroscope invites critical inquiries that have been largely excluded from traditional representations of the field—no bibliography gives a subject heading for the gender gap in philosophy, no narrative shows so starkly the full scope of topics contained in the printed record—and affords us valuable opportunities for not only understanding the practices of the field but also for changing them.

For the macroscope to play this role in philosophy and other disciplines, it requires not only use, but intelligent use. It must be focused in the right ways, turned in the proper directions, and supported by a community of inquirers who understand its methods and their applications. The design, data, and visualizations of Phylo all aspire to these standards. Beginning with a researched background of social connections in philosophy, the project incorporates social network analysis, bibliometrics, demography, and other analytical methods to shed new light on ideas and patterns in the field. The design of the interfaces takes advantage of research and user studies in information visualization to provide visitors with a quick, intuitive grasp of high-volume, longitudinal data. Above all, the digital environment of the project provides visitors with opportunities to interact, explore, contribute, and discuss—encouraging the creation of a community around the data, a community that can then shape its own future based on a macroscopic view of itself and its past.

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About the Author

Chris Alen Sula is an Assistant Professor at the School of Information & Library Science at Pratt Institute. He teaches courses in digital humanities, information visualization, knowledge organization, and theory of information. He co-founded Phylo in 2006 with David R. Morrow.

 

Notes

  1. Acknowledgements: I am greatly indebted to David Morrow for extensive feedback and conversation on the ideas presented here, as well as his work in co-founding and developing Phylo with me over the past six years. I am also grateful to Steve Brier, members of the New Media Lab, the article reviewers, and the journal editors for prompting further clarifications and urging me to reflect more critically on the representational and technical aspects of Phylo.
  2. As Jasenas reports, Varet himself wanted to “determine the constant issues which run through the history of philosophy” to determine the “relevance” of a work—hardly an unbiased decision (1973, 108).
  3. As of January 31, 2012, several of these diagrams are publicly accessible via Google Books. For an example, see <a href=”<a href=”As of January 31, 2012, several of these diagrams are publicly accessible via Google Books. For an example, see http://books.google.com/books?id=2HS1DOZ35EgC&lpg=PA1004&dq=collins%20sociology%20of%20philosophie&pg=PA96#v=onepage&q&f=true” target=”_blank”>http://books.google.com/books?id=2HS1DOZ35EgC&lpg=PA1004&dq=collins%20sociology%20of%20philosophie&pg=PA96#v=onepage&q&f=true”>http://books.google.com/books?id=2HS1DOZ35EgC&lpg=PA1004&dq=collins%20sociology%20of%20philosophie&pg=PA96#v=onepage&q&f=true
  4. Brian Leiter in his “The Philosophical Gourmet Report” “ranks graduate programs primarily on the basis of the quality of faculty.” The latest report (2009) is based on an online survey sent to four hundred-fifty philosophers throughout the English-speaking world in December 2008 and January 2009; about three hundred responded and completed some or all of the surveys.
  5. An alternative visualization was considered in which the total number of articles by cohort c in year y was weighted against the total number of authors, philosophers, or graduates during y, providing a relative sense of scholarship during that year. Doing so, however, would distort the unique contribution of each cohort during that year by expressing the number of its articles in terms of all the cohorts’ published articles. While aggregate measures have their uses, the purpose of Lexis diagrams is to highlight individual cohort contributions, so this alternative version was rejected in favor of figure 7.

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